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Alternative Rock band Blue October’s latest album “Approaching Normal” blends new and old for a rollercoaster-esque listening experience. Songs like “Dirt Room” continue their tradition of hard rock and somewhat violent beats and lyrics, while tracks such as “Weight of the World” and “The End” offer an introspective look at the twisted psyches that the band’s previous albums have also examined, such as “Hate Me” from the album “Foiled.”

“Approaching Normal” features stories of substance abuse and violence that are Blue October’s trademark, many born from frontman Justin Furstenfeld’s personal experiences. There are also some tales of redemption, such as “Been Down” and “Should Be Loved” that offer softer beats and are reminiscent of tracks from past albums, such as “Everlasting Friend” from “Foiled.” There is also the token ballad in the form of “My Never,” which is easily relatable for anyone who has experienced unrequited love and which was popularized by its affiliation with the popular Twilight series by Stephenie Meyer, whom Furstenfeld accompanied on her book tour for Breaking Dawn.

However, a change from the norm comes in the form of tracks like “Blue Does,” “Blue Skies,” and “Jump Rope,” several of which were inspired by Furstenfeld’s young daughter, Blue. These tracks are the closest the dark band has come to, in Furstenfeld’s words, “happy songs.” While the songs range from slow, sweeping melodies to up-tempo tracks, they all examine the ups and downs of life, essentially promising that, though things may be bad, they will always get better. The album, like many others in today’s war-ridden world, also features “Kangaroo Cry,” a track that pays homage to the men and women who risk their lives in wars around the world, not for a cause but for a country. This track honors those who deserve it and encourages them to “keep hanging on,” while appealing to those who have the power to end the violence to “bring our sons and daughters home.”

The band’s underlying rock beats and unique, grungy sound are still there, so long-time fans will not be disappointed. Blue October’s latest album shows the band’s broadest range yet. While the overly-violent tracks like “Dirt Room” and “The End” can be a little alarming, the beats are appreciable and those who are use to the band’s style will be able to enjoy the twisted lyrics. The softer tunes “Blue Skies,” “Blue Does,” and even “Should Be Loved” are a nice change from the intensity of other tracks on the album, allowing the listener an emotional break. The few ballads are well-written and relatable, showcasing the group’s writing talents. The variety of melodies is enjoyable; some of them make the listener want to dance, some make them want to headbang, and some make them want to cry. The album features a track for nearly every mood, exploring new themes whiles still holding relics from the past. Furstenfeld’s distinctive, powerful vocals tie together the various strands to produce a cohesive, fan-pleasing album.

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